I’m not biased when it comes to the geographical origin of my musicians, nor am I patriotic for my home country, England. That said, let’s take a look into British Soul and why it stays true to Soul roots.
Clearly, soul as a genre does not originate from the UK and is certainly a more niche market for the UK than it is in the States. With smaller audience numbers comes less money, with less money in turn comes less desire for newcomers to make it and so the cycle continues and the filtration system is ongoing. What this has done for the UK soul scene is in fact a blessing, in my opinion. You see, those Brit Soul ‘originators’ from the 90’s era are all still around – not half bad for ‘copycat’ Soul artists. The reality is that yes, influence was taken from USA based music, but where did the USA music take influence from? It certainly didn’t just appear out of nowhere and given the USA’s relatively short history as a country, their music in fact is a blend of various cultures – Europe, Africa and more. So the UK Soul scene is therefore not a copycat and comes with full credibility. Writing this, and thinking about the pre-millennia music, the amount of talent in the UK – a small island – is quite frankly, astounding.
Beverly Knight, who last night launched her latest album, first cut an LP in 1995. Bands such as Soul II Soul and The Brand New Heavies have both recorded some benchmark tracks and solo artists: Seal, Omar, Sade and Mica Paris all continue to make fine music. Other contributors such as the late (GREAT!) Lynden David Hall, Des’Ree, Maxi Priest, Incognito, Tony Momrelle and Young Disciples also get major credit, not to forget Jamiroquai. What makes me most proud is that every artist listed above stuck to their original game plan, making great music and conforming as little as possible to the media hype which so often places strain on musical integrity.
So, what keep the UK’s soul scene pure? Clearly, the 1990’s were dominated by Brit Rock and the emergence of Hip Hop, not forgetting the wave of Boy and Girl Bands. Music was taking a new direction and the Jazz, Funk and Soul derivative genres were given room to breathe, cross pollinate and bloom without ulterior motive. Acid Jazz became prevalent and cool vibes emanated from the quiet corners of the UK’s music scene – those ‘in the know’, knew something. Thankfully, good music always gets its reward and some UK Soul got critical acclaim, filling the pockets of the necessary record companies and subsequently allowing the Brit Soul scene to be credible enough in the music industry for major labels to sign up artists.
Yet today we still see these artists maintain their original essence, for this I personally am thankful and respectful of, not to mention full of admiration for the hard work and perseverance.
Enjoy a selection of UK soul music and other derivatives on my Happy Friday Spotify playlist album... clearly Spotify limits the options, but there are a few gems there... simply open Spotify, and paste this into the search bar: spotify:user:gavvyb:playlist:4zhIG7Z21pZ4j0UzxZ7VXY
Yes, I’ve given Vikter Duplaix enough ‘props’ on this blog.
But given my recent disappointment after a certain new album by another of my most favoured Neo Soul artists, I’ve decided that I wish to keep positive.
After all, I’ve written of my acceptance for artists who are ‘indie soul’ and make the crossover to mainstream – everyone’s got to eat.
More on the above matter to follow, no doubt.
For now, it gives me great pleasure to see that one of my bestest artists has provided a soothing relief to his fans fears by allowing for a FREE download of his newest track which continues to follow his non conformist form of music. Thankfully, Vikter Duplaix couldn’t care less about conforming to mainstream sounds, instead opting to be himself.
I know Vik is recording a new album and the single ‘Electric Love’ makes me think that I won’t be disappointed upon its immanent release. Although, I thought the same thing when I heard a snippet of Eric Roberson’s ‘Borrow You’ a few weeks ago...
‘Yes! A good new album this way comes’ my mind told me.
Alas last week, my ears disagreed, regretting to inform my brain that ‘Music Fan First’ was a massive let down, despite a few decent tracks. I don't blame Eric Roberson, he deserves commercial success. I'm just disappointed as a long term fan.
Eric Roberson review to follow, if I can bring myself to go through the hurt of listening to it once again – having done this a few times over the last week, I’m inclined to give it a miss, along with the October gig of Erro which I had intended on attending.
Sigh... It seems that I've managed to contradict my earlier statement, Eric Roberson clearly upset me enough to discuss him on a post initially intended to inform of another artists newest effort. Apologies. I digress, by nature.
Go to Vikter Duplaix’s website for a free download of his great new single... you won’t be disappointed, this I can assure you.
Click on www.vikterduplaix.com for the free download.... then buy his album when it's out.
Those who know me will know I love all forms of music, no matter the genre. So when I was approached to review the new Imperial Vipers album, I jumped at the chance.
I place ‘Broken’ into my computer CD drive and my brand less, generic media playing program as developed by a fruit company loads the track names, times and other bits of information and my eyes are drawn to the seemingly short song times. All but one are below four minutes in duration, OK – Sennheiser HD25’s at the ready, volume up, just click play.
The anthemic ‘Sickness’ starts things off and I’m glad to hear whimsical FX and a bass Guitar solo to warm the ears up for the heavyweight cymbal laden drum pattern. There’s a feel of retro Rock drama here and the 80’s style synth organs hit us at the two-minute odd bridge, neatly building the track into crescendo. Meatloaf would be proud and I mean that in the best possible way.
I check my forearms where the hairs are on-end, I decide that this shall become my new measure of a decent rock album. Criteria passed with flying colours, therefore I’ll continue – I’m in this for the long haul.
‘I’ll Guess’ has a purposeful feel right from the get go. Distant guitar riffs add layered elements and some pretty hard panning which really splits you’re concentration providing subconscious interest, this track is instantly starting to... finish, it seems. At two minutes and thirty-five seconds, I’m left wanting, although some would argue that short is sweet...and I agree, being one of diminutive vertical stature myself.
An atmospheric, eerie sound is cut through by a shrill guitar drone and the drums start. ‘Broken’. Label should read: “WARNING, NOT SUITABLE FOR PEOPLE WITH FRAGILE NECK CONDITIONS, THIS WILL MAKE YOUR HEAD BANG”. This is the Imperial Vipers’ epic, perhaps that’s why they gave it over five whole minutes of air time? Back on point, these guys have managed to pack so much into this song from up-tempo chorus that hits hard to the melodic end which calms things down nicely.
Listen to Broken here:
Note to self: check their site for tour dates, I need to hear this Live.
As I continue through the rest of the album, I notice how that aside from the mass-appeal feel to ‘Victim’, the Imperial Vipers sound is full of confidence and bravado, the kind that I’d associate with the sort of band who’ve done the rounds in such places as Camden and Hoxton.
‘Self Medication’ is clever bit of stuff when all broken down, said and done. The use of vocal filtering at poignant lyrical milestones followed by the removal of drum hits to give the illusion of a temporary reduced tempo allows the point to drive home. Some may argue that the glorification of self medication isn’t a good move, but this is Rock’n’Roll, not an episode of Songs of Praise. However for good measure and perhaps in an attempt to please a diverse clientele, Jesus does get a mention in the lyrics.
‘This is the Way’ reminds me of the Mad Caddies. Fortunately, I’m a fan of the ‘Caddies. Clearly there is a vast difference between the two, but whilst this track has serious lyrical content and a message within, the way in which the track evolves and maintains a whimsical feel throughout keeps this one from overwhelming with any seriousness.
Essentially hailing from Luton - a place that’s main claim to fame is its convenient accessibility to the M1 motorway – somehow ‘Another Suicide’ and ‘Into Forever’ manages to capture that sound most commonly associated with East London Indie scene and the lead guitar solo in the latter adds that extra bit of spice.
The last three tracks are reminiscent of an older form of Punk based Rock which is further demonstration that the Imperial Vipers are respectful to the original art form and have the ability to do the ‘old stuff well’. They’re not one trick ponies but they’d do well to give us a few minutes more music.
At risk of sounding like my Great Aunt Mildred after drinking a lukewarm cup of milky would be tea (the elderly seem to insist on their teabags merely flirting with the hot water, after all – teabags can be re-used if they’ve not yet fully seen the depths of a teacup)...I thoroughly enjoyed that!
Realms Word would like to thank Katy Scott at Full Portion Media for the following:
-the opportunity to do the review
-opening my eyes to this great new band
-the free music!
Feel free to click and contact Katy... ( www.fullportionmedia.com )